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Alongside Marion, Jones arranges to transport the Ark to London aboard a tramp steamer. A German U-boat intercepts the steamer and seizes the Ark and Marion; Jones covertly boards the U-boat. At a bar in Nepal, Jones reunites with Ravenwood's daughter Marion—with whom Jones once had an illicit relationship—and learns Ravenwood is dead. The bar is set ablaze during a scuffle with Gestapo agent Arnold Toht, who arrives to take a medallion from Marion. Toht attempts to recover the medallion from the flames, but only burns its image into his hand. Filming took place on sets at Elstree Studios, England, and on location mainly in La Rochelle, France, Tunisia, and Hawaii.
They intended he be someone the audience could relate to and idolize. Lucas suggested Marion would have a romantic past with the much older Jones at the age of 11; Spielberg replied, "she had better be older". It was a critical success, receiving praise for its modern take on the serial film, its non-stop action and adventure, and the cast, particularly Ford, Allen, and Freeman. The film was nominated for several awards and, among others, won five Academy Awards, seven Saturn Awards, and one BAFTA.
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Second unit director Michael D. Moore filmed most of the truck chase. Spielberg had not used a second director before but agreed to it as the scene would take a long time to film being set in multiple locations. He closely followed Spielberg's storyboarding but innovated a few shots Spielberg considered improvements. Stuntman Glenn Randall suggested the scene of Jones traversing the underside of the truck. Ford sat in a concealed bicycle seat attached to the truck underside when clinging to its front. One of the convoy cars going over a cliff was a combination of matte painting background and stop motion animation of miniature figures falling out of the car.
New factory seconds and/or new irregular items may fall into this category. See the seller’s listing for full details and description of any imperfections. Lucas' Industrial Light & Magic handled the film's special effects, under the supervision of Richard Edlund. The team worked on both Raiders of the Lost Ark and the dark fantasy Dragonslayer . He felt special effects were a financially economical method of delivering a good film; as long as they were emotionally involved in the story, he said audiences would buy into even a poor special effect.
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Janet Maslin argues the fantasy of these films and the larger-than-life characters are designed to satisfy audiences who do not want to reflect on the world around them. Jones is striving to recover the Ark both to stop the Nazis but also for personal glory, but the film never dwells on the regular people around the world who would be affected by an invincible Nazi army. Raiders of the Lost Ark has been represented across a wide variety of merchandise, including comic books, video games, novels, Lego sets, action figures and vehicles, playsets, candles, and board games.
The golden idol also had mechanically operated eyes that could follow Jones. For the last part of the scene where Jones flees by plane, the first take ended in near-disaster when the plane crashed from a height of 20 ft (6.1 m) because Ford's dangling leg was blocking the aircraft's right flap. Lucas removed a scene of a man fainting at the sight of Indiana and Marion emerging from the Well of Souls because he thought the joke did not fit with the tone of the movie. Shots of the Douglas DC-3 in which Jones flies to Nepal were repurposed from the adventure film Lost Horizon , and a street scene outside Jones' home was taken from The Hindenburg .
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Raiders can be seen as a form of revenge for the Jewish people, showing the rejection of the Nazis by God. Sound effects supervisor Ben Burtt recorded the film's many sounds. The Ark spirits are the cries of sea lions and dolphins filtered through a vocoder.
Filming began in La Rochelle, depicting the capture of the Bantu Wind by a Nazi U-boat. Watts borrowed a submarine from the war film Das Boot on condition it not be taken into deep waters. World War II German U-boat pens in La Rochelle represented the U-boat dock. An original coal-fired tramp steamer boat could not be found for filming, so an Egyptian boat found in an Irish port was decorated appropriately and sailed to France. Belloq was intended to be a sophisticated villain to counter the "beer-drinking" hero. Spielberg cast Freeman after seeing him in the docudrama Death of a Princess ; Freeman's piercing eyes had captivated him.
To his frustration, much of Kasdan's love story between Jones and Marion was trimmed, as were scenes showing the mutual attraction between Marion and Belloq. Lawrence Kasdan, Spielberg's recent discovery, was chosen to write the script. Kasdan had been working as a professional screenwriter for only a month but Lucas agreed to hire him after reading his script for Continental Divide .
The National Board of Review and critic Vincent Canby listed it as one of the ten best films of the year. Canby labelled the film an "instant classic" and one of the most humorous and stylish American films ever made. He described it as having refined the old serial films into their most perfect form for a modern audience. Roger Ebert called it a series of "breathless and incredible" adventures inspired by and celebrating childhood stories told in comic books and movies.
