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Get inspired by a few of the star’s most recognizable roles and live like Hollywood royalty for the night with a classic Audrey Hepburn costume. 's selection is editorial and independently chosen – we only feature items our editors love and approve of. May collect a share of sales or other compensation from the links on this page.
From bold prints to ultra-feminine fits and ethereal gowns, the wife of Prince Albert's sense of style has long been synonymous with her royal image. On Friday, the mother-of-two took to Instagram to mark her 11th wedding anniversary, stepping out in a mesmerising Louis Vuitton chiffon gown to honour the special occasion. The 44-year-old royal looked effortlessly chic in a slick monochrome dress from designer label Akris. Complete with a figure-flattering fit, waist-cinching belt, cropped sleeves and signature boat neckline, Princess Charlene's stunning dress channelled the vintage-glamour of Audrey Hepburn's era. He was not the sort of designer who would try to dazzle the eye with elaborate embroidery or lavish beading.
Personal life
Next, make sure you look through this list of films to watch for gorgeous clothes. In 1961, Givenchy designed a little black dress for the opening scene of Blake Edwards' romantic comedy, Breakfast at Tiffany's, in which Hepburn starred alongside actor George Peppard. Her necklace was made by Roger Scemama, a French jeweler and parure-maker who designed jewelry for Givenchy.
In August 1988, Hepburn went to Turkey on an immunisation campaign. She called Turkey "the loveliest example" of UNICEF's capabilities. Of the trip, she said, "The army gave us their trucks, the fishmongers gave their wagons for the vaccines, and once the date was set, it took ten days to vaccinate the whole country. Not bad." In October, Hepburn went to South America. The same year, Hepburn also starred in William Wyler's drama The Children's Hour , in which she and Shirley MacLaine played teachers whose lives become troubled after two pupils accuse them of being lesbians. Bosley Crowther of The New York Times was of the opinion that the film "is not too well acted", with the exception of Hepburn, who "gives the impression of being sensitive and pure" of its "muted theme".
Audrey Hepburn’s most iconic fashion moments
After having played the role of a princess in Roman Holiday and the daughter of a driver in Sabrina, the actress welcomed with open arms the opportunity to expose her talents through a rather unique role. From what she said, it was pleasurable to “move away from the traditional feminine roles of princesses or nuns.” In order to add a bit of eccentricity in Holly, Audrey Hepburn dyed several strands of her hair blond. The character organises extravagant soirées in her apartment and would not hesitate to go all out every time. The Givenchy black dress not only hints at her glamorous personality from the start of the film, but its constant appearance in later scenes, though adorned with different jewels, highlights the change of her mood. Capture the latest trends, like bustier or corset dresses, that are effortless options for modern weddings.
One of the judges happened to be Vivian Diamond, who still owns and designs bridesmaid dresses for the Dessy Collection. They called me on the pay phones at the dorm and offered me a job with my name on the label of both collections. I graduated on a Friday, started work on a Monday, and in four months had 32 dresses going down two different runways. For an alternative to wedding guest dresses, shop our assortment of chic jumpsuits, dressy wide-leg pants to pair with sheer long sleeve blouses, or get a polished look with matching skirt and top sets. Layer on open-front trench coats or fab faux leather jackets as the sun sets at the outdoor reception.
I Believe In Pink - Greeting Card, Just Because Card, Art Card, Fashion Illustration, Audrey Hepburn Quote, Stationery
In the same year Hepburn garnered the Tony Award for Best Actress in a Play for portraying the titular water nymph in the play Ondine. Hepburn was known for her fashion choices and distinctive look, to the extent that journalist Mark Tungate has described her as a recognisable brand. When she first rose to stardom in Roman Holiday , she was seen as an alternative feminine ideal that appealed more to women than men, in comparison to the curvy and more sexual Grace Kelly and Elizabeth Taylor. With her short hairstyle, thick eyebrows, slim body, and "gamine" looks, she presented a look which young women found easier to emulate than those of more sexual film stars. Alongside model Twiggy, Hepburn has been cited as one of the key public figures who made being very slim fashionable. After 1967, Hepburn chose to devote more time to her family and acted only occasionally in the following decades.
Recognised as both a film and fashion icon, she was ranked by the American Film Institute as the third-greatest female screen legend from the Classical Hollywood cinema and was inducted into the International Best Dressed List Hall of Fame. The character in the dress was the one-and-only Holly Golightly, now the timeless characterization of feminine allure and strength. Without the dress, her impact on audiences across the world, then as well as today, would surely have been different.
DIANAThe movie in itself is a testament to fashion and all things couture, and it shows in every beautiful ensemble that Hepburn models in the film. One of the most stunning pieces she wears is this stunning red silk dress and organza shawl, one of the many designed for the actress in her career-long partnership with Hubert de Givenchy. The ostentatious black and white ensemble sported by Eliza Doolittle at the Royal Ascot Races is one of the most unique costumes ever worn by Miss Hepburn onscreen.
Superstitious, she also insisted on dressing room 55 because that was her lucky number and required that Hubert de Givenchy, her long-time designer, be given a credit in the film for her perfume. Dubbed "marshmallow-weight hokum" by Variety upon its release in April, the film was "uniformly panned" but critics were kinder to Hepburn's performance, describing her as "a refreshingly individual creature in an era of the exaggerated curve". Given her physical assets, she, along with her designer friend Givenchy, created a dress to fit her role in the film of a waif. A well chosen black silk dress with appropriate accessories hit the bull's eye to bring her effervescent personality to the fore; the dark oversized sunglasses completed the ensemble of the little black dress which was called "the definitive LBD". The dress, which outlined her lean shoulder blades, thus became the Hepburn style.
